New single Sheets, accompanied by it's sister track, Pointland
SHEETS MUSIC VIDEO:
youtu.be/XD7UqsG1Tro
A first detailing of infinite consequence, shot and edited by myself and Tahnee Marie who played the ghostie.
Over the past year I've been fortunate enough to internally wander and build upon these reflections with self improvements. I'm quite far from the peak I imagine to be (and I assume that said peak will always be a rendering blur as I continually ascend, or at least hope so), but each day I feel that I come close to tapping into an ancient, singular force that unites every last bit of the material of life. The same force that drives and balances, that is and isn't, the symbolic undercurrent of passion and vigor that breathes in the belly of the earth. As stated above in this corny diatribe, I am in the thick of the first act of my path and in an attempt to propel me further I have this first detailing of some basic findings of who I have been and use these artistic mediums to purge them of me. It will take more than just this cyclical ritual of music making, but this is an important step for me. I've always been so shrouded by my long-winded, verbose creations, and upon first glance, it can seem that this leads to disingenuous music, but I think it was genuine. I was just uncomfortable. I used the sheet as a means of staying comfortable in not revealing deeper parts of myself, to not communicate with those close around me. There was not much for someone else to take in and learn from in what I was creating, as I have not entirely been cultivating a external understanding of my expressions. This feels like a personal infinite consequence. A consequence that lies dormant in the left atrium, but aches and shakes the entire person until there is no vigor left, no essence to the host. When ignored it will entirely throw the nature of being out the cosmic window and into hell.
There's still much to learn and much to share. The sheet won't always be lifted, but I'll balance it out.
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